Never at Sea: Artists Abroad Confront the Migration Crisis: Resonate Magazine (The Australian Music Centre), August 3, 2023.
TÁR: Fantasy or Stark Reality for Women Conductors?: Limelight Magazine (Limelight Arts Media), January 26, 2023.
Art, Nature, and the Language of Alluvial Gold: Resonate Magazine (The Australian Music Centre), August 1, 2022.
Identity and The Abstract Self in Cat Hope’s Speechless: TEMPO, A Quarterly Review of New Music (Cambridge University Press) Issue No. 290. (2019). DOI: 10.1017/S0040298219000548.
Economics of Visibility: The Gendered Body on the Orchestral Podium: MMus, University of Western Australia. (2022) DOI: 10.26182/8bz5-sf16.
Escaping the Identity Prison: Intersectionality and Multiplicity of Voice in Cat Hope’s ‘Speechless’ (2017): BA(Hons), University of Western Australia (2018)
Spin Systems in Spatial Audio with Matthew Woodham (UK): Institute for Research and Coordination in Acoustics/Music (IRCAM) Forum, Paris. (2023)
Beyond Visibility: What’s Next for Women in Conducting?: The University of Western Australia, Conservatorium of Music Research Seminar Series, Perth. (2023)
Methodological Approaches to Feminist Musicology: A Case Study: Musicological Society of Australia, West Australian Chapter, Perth. (2021)
Economics of Visibility: The Gendered Body on the Orchestral Podium: Musicological Society of Australia, West Australian Chapter Conference, Perth. (2020)
Panel: Describing the Elephant: Creatives Roundtable on Artistic Research Methods: Musicological Society of Australia, West Australian Chapter Conference, Perth. (2020)
Gender Segregation and Treble Education in the Anglican Choral Tradition: An Autoethnography from the Girls Choir of St George’s College, Perth: Gender Diversity in Music and Art Conference, Perth. (2019)
Panel: Composer Round-Table: Discussions on New Music. Choralfest, Perth. (2019)
Panel: Female Musical Voices in Public and Private Spheres. Musicological Society of Australia Conference: Perth. (2018)