ARTICLES

A Matter of Notation: Case Studies in Materiality, Temporality, and the Score-Object: The Ninth International Conference on Technologies for Music Notation and Representation (Zurich University of the Arts), April 4, 2024.

Rósa Lind, Kandinsky Kunstwerke, Geoffrey Gartner, Laura Chislett, Mark Knoop. all that dust, ATD17: TEMPO, A Quarterly Review of New Music (Cambridge University Press) Issue No. 307. (2024). DOI: 10.1017/S0040298223000761.

Never at Sea: Artists Abroad Confront the Migration Crisis: Resonate Magazine (The Australian Music Centre), August 3, 2023. 

TÁR: Fantasy or Stark Reality for Women Conductors?: Limelight Magazine (Limelight Arts Media), January 26, 2023.

Art, Nature, and the Language of Alluvial GoldResonate Magazine (The Australian Music Centre), August 1, 2022.

ELECTROLUMINESCENCE at Lyric’s Underground gets 9/10: X-Press Magazine, February 4, 2022.

Identity and The Abstract Self in Cat Hope’s Speechless: TEMPO, A Quarterly Review of New Music (Cambridge University Press) Issue No. 290. (2019). DOI: 10.1017/S0040298219000548.

THESES

Economics of Visibility: The Gendered Body on the Orchestral Podium: MMus, University of Western Australia. (2022) DOI: 10.26182/8bz5-sf16.

Escaping the Identity Prison: Intersectionality and Multiplicity of Voice in Cat Hope’s ‘Speechless’ (2017): BA(Hons), University of Western Australia (2018)

PRESENTATIONS

Spin Systems in Spatial Audio with Matthew Woodham (UK): Institute for Research and Coordination in Acoustics/Music (IRCAM) Forum, Paris. (2023)

Beyond Visibility: What’s Next for Women in Conducting?: The University of Western Australia, Conservatorium of Music Research Seminar Series, Perth. (2023)

Methodological Approaches to Feminist Musicology: A Case Study: Musicological Society of Australia, West Australian Chapter, Perth. (2021)

Economics of Visibility: The Gendered Body on the Orchestral Podium: Musicological Society of Australia, West Australian Chapter Conference, Perth. (2020)

Panel: Describing the Elephant: Creatives Roundtable on Artistic Research Methods: Musicological Society of Australia, West Australian Chapter Conference, Perth. (2020)

Gender Segregation and Treble Education in the Anglican Choral Tradition: An Autoethnography from the Girls Choir of St George’s College, Perth: Gender Diversity in Music and Art Conference, Perth. (2019)

Panel: Composer Round-Table: Discussions on New Music. Choralfest, Perth. (2019)

Panel: Female Musical Voices in Public and Private Spheres. Musicological Society of Australia Conference: Perth. (2018)