^mentioned in another category.
SITE-SPECIFICRivurtext (2026) — flute, trumpet, trombone, French horn. Durational performance for the River Spree (Berlin). c. 80+'
Crossings (2023) — Generative sound design for the English Channel/La Manche crossing. c. 90+'
CHAMBERKeystones (music at the edge of rupture) (2026) — flute, tenor saxophone, bass clarinet, percussion, bass-baritone, violin, viola, cello. c. 9'
Great Dog! (as seen by the River) (2026) — bass flute (with B foot), baritone saxophone, trumpet in C, trombone, double bass. c. 5'
Polaris Swallowed (2026) — two seashells, double-bell trumpet in C, double-bell horn in F, double-bell trombone, and double-bell euphonium. c. 4'30"
Dark Oceanography (2025) — Percussion trio, live spatial amplification. c. 48'
The Forecast (2023) — Alto flute, viola, percussion, live electronics (spatial), and wishing well. c. 7'
Visions | Vestiges (2023) — Bass clarinet, cello, percussion, live electronics, and sculpture. c. 16'30"
Threads of Insomnia (2021) — Percussion, piano, viola, cello, and electronics (tape). Graphic score. c. 9'.
Migrations (2019 rev. 2024) — String quintet, piccolo, flute quartet, electronics (4-channel tape), conductor. c. 9'30"
If I Told Him (2019) — Flute, clarinet, viola, cello, percussion, live electronics. c. 9'
Impressions I,II (2017) — Clarinet, snare drum, live electronics. Text score. c. 10'
Dunes (2017) — String quartet, soprano. c. 6'
SOLO / DUOHERD (2025) — Double-bell bass trombone, Red Deer (field recordings), custom lighting. c 16'
Red Earth Mine (Deform/Reform) (2024) — Classical guitar, percussion, and electronics (tape). c 14'
Tactus (2024) — Renaissance (Warder) flute, electronics (tape), and film. c. 20'
Nocturne (2022) — Solo tam-tam. Graphic Score.
Still Life (2022) — Solo Kingma System flute. Graphic Score.
Lux Levis (2021) — Violin, piano, and electronics (tape). c. 6'30".
Behind Closed Doors (2018) — Baroque flute, live electronics. c. 5'30"
Hāgâ (2018) — Detuned zither, electronics (tape). Text score. c. 6'
Preface to The Picture of Dorian Gray (2016 rev. 2017) — Solo piano. c. 4'
Axes (2015) — Solo piano. Graphic Score.
CHORALGlitchmas (2023) — SATB Choir with division.
MULTI-MEDIAThe Tower (2024) — Exhibition sound design (2.1 fixed audio). c. 14'
^Tactus (2024) — Renaissance (Warder) flute, electronics (tape), and film. c. 20’
^The Forecast (2023) — Notational sculpture (projection, water, acrylic).
^Crossings (2023) — Generative sound design, documentary film and installation.
Depth Sounding (2023) — Flag. Digital Print on silk. 183 x 91 cm.
^Visions | Vestiges (2023) — Notational sculpture (antique wood, handblown glass, water, iPad).
Spin Systems in Spatial Audio (2023) — Generative electronic sound in third-order ambisonics.
Nocturne II (2022) — Projected moving image, generative audio, bioluminescent algae.
GLOMESH (2020) — Moving Image and fixed audio. c. 5'
UPCOMING
Nocturne I (2022) for solo tam-tam. Australian premiere: November 24, 2026, Rosina Auditorium, Abbotsford Convent, Melbourne (AU). Part of the Australian National Academy of Music Chamber Festival.
HERD (2025-26) for double-bell bass trombone and Red Deer (field recordings). Benjamin Anderson (AU).
Work-in-progress showing: April 18, 2026, Darebin Arts Centre, Test Flight!, Melbourne (AU).
Premiere TBC 2027.
[Untitled] (2027) for ensemble. Sydney Symphony Orchestra Fellows (AU).
Premiere: July 23, 2027. Sydney Conservatorium of Music, part of the Living Waters, Vital Song International Conference.
SITE-SPECIFIC
CHAMBER
SOLO / DUO
CHORAL
MULTI-MEDIA