Great Dog! (as seen by the River) (2026) — flutes, baritone saxophone, trumpet in C, trombone, double bass. c. 5'
Polaris Swallowed (2026) — two seashells, double-bell trumpet in C, double-bell horn in F, double-bell trombone, and double-bell euphonium. c. 4'30"
Dark Oceanography (2025) — Percussion trio, live spatial amplification. c. 48'
The Forecast (2023) — Alto flute, viola, percussion, live electronics (spatial), and wishing well. c. 7'
Visions | Vestiges (2023) — Bass clarinet, cello, percussion, live electronics, and sculpture. c. 16'30"
Threads of Insomnia (2021) — Percussion, piano, viola, cello, and electronics (tape). Graphic score. c. 9'.
Migrations (2019 rev. 2024) — String quintet, piccolo, flute quartet, electronics (4-channel tape), conductor. c. 9'30"
If I Told Him (2019) — Flute, clarinet, viola, cello, percussion, live electronics. c. 9'
Impressions I,II (2017) — Clarinet, snare drum, live electronics. Text score. c. 10'
Dunes (2017) — String quartet, soprano. c. 6'
SOLO / DUOHERD (2025) — Double-bell bass trombone, Red Deer (field recordings), custom lighting. c 16'
Red Earth Mine (Deform/Reform) (2024) — Classical guitar, percussion, and electronics (tape). c 14'
Tactus (2024) — Renaissance (Warder) flute, electronics (tape), and film. c. 20'
Nocturne (2022) — Solo tam-tam. Graphic Score.
Still Life (2022) — Solo Kingma System flute. Graphic Score.
Lux Levis (2021) — Violin, piano, and electronics (tape). c. 6'30".
Behind Closed Doors (2018) — Baroque flute, live electronics. c. 5'30"
Hāgâ (2018) — Detuned zither, electronics (tape). Text score. c. 6'
Preface to The Picture of Dorian Gray (2016 rev. 2017) — Solo piano. c. 4'
Axes (2015) — Solo piano. Graphic Score.
CHORALGlitchmas (2023) — SATB Choir with division.
MULTI-MEDIAThe Tower (2024) — Exhibition sound design (2.1 fixed audio). c. 14'
^Tactus (2024) — Renaissance (Warder) flute, electronics (tape), and film. c. 20’
^The Forecast (2023) — Notational sculpture (projection, water, acrylic).
Crossings (2023) — Site-specific, generative sound design for the English Channel/La Manche.
Depth Sounding (2023) — Flag. Digital Print on silk. 183 x 91 cm.
^Visions | Vestiges (2023) — Notational sculpture (antique wood, handblown glass, water, iPad).
Spin Systems in Spatial Audio (2023) — Generative electronic sound in third-order ambisonics.
Nocturne II (2022) — Projected moving image, generative audio, bioluminescent algae.
GLOMESH (2020) — Moving Image and fixed audio. c. 5'
UPCOMING
Rivurtext (2026) for flute, trumpet, trombone, French horn. ELISION Ensemble (AU).
Premiere: June 25, 26, 27, Spreeklänge (Akademie der Künste) on the River Spree, Berlin (DE). Tickets here.
Keystones (music at the edge of rupture) (2026) for flute, bass clarinet, tenor saxophone, violin, viola, cello, percussion, bass-baritone, and electronics. Standard Issue (UK).
Premiere: July 4, Rich Mix / Spitalfields Music Festival, London (UK). Tickets here.
Great Dog! (as seen by the River) (2026) for bass flute, baritone saxophone, trumpet in C, trombone, and double-bass. ELISION Ensemble (AU).
World Premiere: 7:30pm, April 16, Klangbrücken Festival ’26, Hannover (DE). Free entry.
Australian Premiere: 7:00pm, July 16, Melbourne Recital Centre (AU), ELISION 40th Birthday! Tickets here.
HERD (2026) for double-bell bass trombone and Red Deer (field recordings). Benjamin Anderson (AU).
Work-in-progress showing: 11:50am, April 18, Darebin Arts Centre, Test Flight!, Melbourne (AU).
Premiere TBC 2027.
[Untitled] (2027) for ensemble. Sydney Symphony Orchestra Fellows (AU).
Premiere: July 23, 2027. Sydney Conservatorium of Music, part of the Living Waters, Vital Song International Conference.
CHAMBER
SOLO / DUO
CHORAL
MULTI-MEDIA